Thanks to Sean M. Puckett’s Happy Place Project, (It’s a wonderful photographic portrait project – follow the link if you’d like to participate!), I’ve had a chance to reflect on what my happy place is. Thanks Sean, for an interesting project and an amazing black and white photograph! Sean had some great questions, which inspired a lot of thought in my answers, which I shared with Sean, and now, I’d like to share it with you:
When you imagine yourself in a place where you are are free to “be yourself” … where are you?
I am in my cluttered (I am messy), stinky (that’s where the cat box lives…but you get used to it over time), sometimes unbearably filthy basement (I’d much rather paint than vacuum), at my easel drawing board, where anything can happen. All of my paint stuff is all around me, within easy reach of me sitting in my comfy art chair, in which I can sit cross legged while I paint. I can also rock in my comfy art chair, and spin in circles. Spinning in circles is great. The tv is on with endless repeats on the H2 (History Channel 2), and if I’m lucky, the guy with the hair is talking about how “it’s aliens!” I’ve got an ample supply of Diet Coke, (which I know I shouldn’t drink) with plenty of ice. And there’s tasty snacks too. The water cup for cleaning my brushes is clean and not yet too gunked-up. There is no phone and no interruptions. That’s important. There is no impending need to check the time for doing something else. Time is not a factor.
When you’re in that space, and when you are being yourself, what are you doing?
I am creating happy wriggly colourful imaginative environments on canvas. Some of these environments are based on reality (from a photo). Some of these environments are totally made up – which is my favourite. In every case, on every canvas, I am trying to create a unified happy space, where positivity and harmony reign, and sometimes weirdness and goofiness take over, which is also kinda fun. I am a master creator, and the canvas must yield to do what I command. Anything can happen, and the only obstacle is my own lack of imagination, intuitive lack, perceptive lack, and impatience. Which is where rocking and spinning in the comfy chair comes in. I am a color mix master, gleefully creating mixtures that I control, and giddily finding mixtures that I didn’t control! Playing with color is so delightful! I’m smirking at that guy with the hair, as he’s stating far fetched but wonderful theories about life from other planets – which spurs imagination and wonder. Sometimes I talk back to the tv, sometimes I talk back to myself. And then my attention goes back to the canvas, and the tv drones on in the background again, being the perfect painting companion. Sometimes I make a huge mess with paint going everywhere. It’s OK – and kind of fun, because it’s just the basement, and it really doesn’t matter if I get paint all over the floor or chair or wherever. It’s kind of liberating to not have to worry about making a mess. Ideas are coming easily, and the brushes are being cooperative.
What are you wearing?
I’m wearing my baggy painting pants, with paint drops and smears everywhere. I can sit comfortably crosslegged in my baggy pants. I wearing my paint shirt, which also has paint wiped and smeared all over it. My paint shirt is my wipe rag, and it doesn’t take long for a shirt to become encrusted with my acrylic paints. In my happy place, my paint shirt is relatively new from the thrift store, and the odd thrill of ruining another shirt is at its peak, and the shirt is also at its peak absorbency and usefulness as a wiping rag. I am wearing socks to protect my feet from the dirty floor. And my hair is out of my face with whatever barrette or headband or hat I have handy, because painting with hair flopping around my eyes is distracting. Sometimes I think that my hat is a magical painting hat, and it is making my brain work better for painting. Perhaps the result of listening endlessly to such outlandish ancient alien theories all day. There is no aluminum foil in my hats. 🙂 My painting glasses also somehow manage to get paint on them, but I get too involved in my painting before I remember to clean them. My wedding ring is safely away on my dresser. Being left handed and painting much small detail means the wedding ring gets in my way and so rather than taking the chance of losing my ring in my messy art lair, I keep it safely away and secure. Any other items like bracelets, watches, necklaces, or earrings are a no go for painting. They are too distracting like the floppy hair. Even nail polish is a no go, because I would be sitting there picking and peeling at my nails, which would be distracting. Due to the kitty cat, there are cat hairs everywhere, and my wiping shirt seems to attract cat hairs. And then the hairs get on my paint brush and sometimes end up in my painting. That can really be annoying. In my happy place, the cat hairs are mysteriously absent. My painting chair sometimes has the feature of a kitty cat head rest/neck warmer, which is surprisingly not that distracting. The purring is calming and wonderful and helpful. The paint also ends up on my face, usually my nose, because I itch my nose sometimes. Sometimes, I’ll go out after a painting session, and strangers will let me know I have something of my face. I must really remember to check the mirror before going out into the real world. I really don’t mind the paint on my forearms or hands or fingers. Sometimes I’ll do a quick color check on the back of my hand or finger, just in case the effect of simultaneous contrast is messing with me and I want to see how the color looks on a different background, such as my skin.
Who is with you?
I am completely alone, with the exception of the kitty cat and the tv guy. So I can talk to myself, talk to the tv guy, talk to the cat, and there is no self-consciousness about any of it. I can sing that stupid tune that is stuck in my head…”Who let the dogs out? Who? Who? Who! Who!…” until the stupid tune plays out or the guy on tv says something interesting. It’s not as peaceful if the husband is in the house, as there’s always a possibility of impending distraction, or perhaps him wondering what I’m saying when I’m not really saying anything as I’m just talking to myself or the kitty cat or the tv. Having said that, my husband is always with me in my heart and in my head, as I think about what he might say about this thing or that as it gets painted. He’s usually very perceptive and appreciative of my paint-scapes. He gets me! I try to keep everyone else out of my head, and that’s where the lovely guys on the tv come in. The tv guy gives me ample distraction from useless thoughts of other people, but the tv guy is not too distracting as to take my attention away from my painting. The kitty cat is usually nearby, whether acting as a headrest/neck warmer or a sleeping (and amusingly snoring) entity in a nearby comfy chair, we are usually together when I’m alone in the basement painting.
Are you willing to be photographed in that situation?
Only if you’re brave enough to face all the chaos, dirtiness, and mess down in the basement.
I am so happy to present a new painting that is now available! This piece was based on a photo of a white rose.
When I created PondeRose, I thought I was planning to pursue a new direction for a new collection of work. I thought this new collection was going to be based on the ideas of expansiveness, quietude, and a Zen-like peacefulness.
Because my mind-space was so cluttered with gallery business and other projects, I felt like I needed the relief of some big stretches of space. But now that my mind-space is much less cluttered, my outlook for my new work seems to want to be somewhat more exuberant than PoderRose.
With the coming of a new year, I finally have a chance to delve deep into my painting, and work on building a new collection of work! The purpose of my journey is to explore and develop some totally new ideas and bold directions, and I’m so happy to have an unfettered expanse of time to do it. At least for the near future, I am continuing to suspend teaching regular classes at Button Factory Arts (though I may sneak in a workshop here and there!) and auspiciously, I am no longer a member at Art District Gallery. I’ve also embraced the recent move of my studio from Button Factory Arts to my basement. All of this also means that I will be missing all of my friends from ADG and BFA for a while… but that doesn’t mean I won’t be back again in the future. 🙂 I am so looking forward to seeing what develops in 2016!
And… to be sure… I’m still accepting commissions, selling my work, and coming up with more ideas for sharing my work!
15-209 Colour Lab: Theory
Saturday, May 30th 12- 4pm (Workshop)
$76 members/ $89 non- members
This class will be more theory then painting. It is an intensive course in colour theory and mixing colour with acrylic paints in a friendly studio atmosphere. This session is dedicated to an extensive discussion about colour theory. The purpose of the class is to become comfortable with the three-dimensional colour space and have colour mixing and matching become intuitive.
This class will be more painting than theory. The purpose of this class is to embolden your use of colour, to stretch the possibilities of colour usage, to be more accurate, more expressive and more imaginative. All of the exercises will require a “ramped-up” use of colour, with the idea that after the class, it will be easier to tone down your colour usage as needed rather than struggle and wonder how to “ramp it up”.
15-215 Amy’s Open Studio
Wednesday, May 6th – Jun.10th 7-9 pm (6 weeks)
$125 members/ $145 non- members
Students will work on their own projects at their own pace, and will have some individualized attention. Impromptu mini-lessons as the student-driven need arises; with composition and visual communication being of prime importance. A key feature is that we’ll spend a small section of every class in a review, with everyone offering constructive input about the ongoing projects in a super positive atmosphere. If you are frustrated with your paintings, and want to break through to higher levels of artistry, this is the class for you!
You can see my work in person!
While seeing the photographs of paintings is quite helpful, there’s nothing like being able to see a painting in person! The listings below are all places in the Region of Waterloo where you can go to view actual paintings. Also, I’m always happy to meet you at any of these places, just send me an email and we can schedule a time to meet.
Chrysalides House of Art
School of Fine Art and Gallery www.CHRYSALIDESHOUSE.ca
619 Wild Ginger Avenue, unit A2, Waterloo Phone: 519 208-5961
Chrysalides House usually has one or two of my paintings in the Gallery. This location features a gallery, gift shop, an art studio, printmaking studio and creative play lounge, where they offer ongoing weekly fine art classes for both children and adults.
Office of Lou Seguin, Tax Accountant
72 St. Leger Street, Unit 300, Kitchener
This is the space where I previously shared a studio space with Lou Seguin, my good friend and tax accountant. Happily, Lou is keeping some of my available art on his walls, so the paintings don’t have to sit in storage, and you can visit them any time! And Lou is a great tax guy if you need one! (Contact him directly – firstname.lastname@example.org ) While Lou usually welcomes visitors, (Well, maybe not so much during tax season unless you’re a client!) it is best to contact me so I can set up a time to meet you there.
Button Factory Arts Gift Shop Button Factory Arts
25 Regina Street South, Waterloo, ON, N2J 1R8
I usually have some smaller pieces and prints hanging around at the gift shop. There are soooo many cool items there all year-round. Christmas season is extra special, as the gift shop overtakes the gallery space in December!
A recent addition to the gift shop is this amazing cabinet! Scott Crockard has created and is selling custom furniture featuring panels of my work! So cool!
Amy Ferrari has moved her studio to Waterloo’s Button Factory Arts, where she also teaches various classes, including an intensive Colour Lab. The tiny 2nd floor office space is well lit, with lots of natural light, and it’s gradually becoming a very warm and cozy creating space. Despite her unpredictable working hours, Amy welcomes studio visits, and usually has an open-door policy, with a ready smile.
“The decision to leave Globe Studios and leaving a shared space with the amazingly talented Lauren Judge was a very difficult decision. However, the Button Factory has always felt like home, and I’m already there alot for teaching, and it’s much closer to home!”
In addition to teaching and painting, Amy also has small paintings and prints displayed and for sale in the Button Factory’s Gift Shop.